November 23, 2001
MOVIE REVIEW | 'JUNG'
Compassion in the Eye of a Storm
By A. O. SCOTT
t one point in "Jung (War) in the Land of the Mujahedeen," Gino
Strada, an Italian doctor whose attempt to build a hospital near the front lines in
northern Afghanistan is the the focus of the film, remarks bitterly that the conflict in
that country is a "forgotten war."
That this is no longer the case does nothing to diminish the relevance of this
unsparing, heroic documentary by Fabrizio Lazzaretti, Alberto Vendemmiati and Giuseppe
Petitto, but rather makes it essential viewing for anyone who desires a sense of the finer
human grain of a war that now commands the attention of the world as never before.
In cinematic terms, "Jung" (which means war in Dari, a predominant Afghan
language) is evidence of the continued vitality of the cinéma vérité tradition. Without
narration or talking-head briefings, the film plunges, with Dr. Strada and his companions
Kate Rowlands, a British nurse, and Ettore Mo, an Italian journalist into
the misery and chaos of combat and its aftermath. The most eloquent testimony to the
prolonged agonies of Russian invasion, fratricidal civil war and Taliban rule comes from
the people of Afghanistan, who speak with dignity and forthrightness about the brutality
of the last two decades.
Though the film's images are heart-rending small children whose limbs have been
blown off by land mines, sick and wounded soldiers in crowded casualty wards, elderly
people who find themselves homeless and destitute the filmmakers are not soliciting
our pity. Like Ms. Rowlands, Dr. Strada and Mr. Mo, they practice an intrepid humanism
without borders and without illusions.
The Northern Alliance fighters whom the filmmakers talk to including Ahmed Shah
Massoud, the legendary Lion of the Panjshir who was assassinated in September by men said
to be linked to Osama bin Laden are as ruthless and determined as their unseen
foes. They see themselves as holy warriors fighting a patriotic battle against an enemy
they describe as the tool of Pakistan, Britain and the United States. One imagines that
at least in terms of the latter two their thinking has changed recently.
The film chronicles, in a series of rough, disjointed sequences, two visits to the area
north of Kabul, in 1999 and 2000. Dr. Strada's purpose in coming to Afghanistan was to
establish a hospital in the city of Charikar, and his gruff impatience is as crucial to
his project as his compassion.
He manages to get medical supplies from Italy, to ban firearms from his buildings and
to persuade a militia commander to move a column of tanks parked nearby that might have
made the hospital an irresistible military target for Taliban artillery. He and Ms.
Rowlands recruit Kurdish doctors and hire refugees to work as orderlies and attendants. By
the end of "Jung," they seem to have succeeded in creating a relatively peaceful
and stable oasis in the midst of catastrophe.
His work in Charikar complete for the moment, Dr. Strada boards a helicopter bound for
the Taliban-controlled zone, where he hopes to accomplish something similar. The
filmmakers do not follow him, and we never learn how he fared. But without sanitizing the
Taliban's opponents whose recent victories in Kabul and elsewhere have inspired
jubilation and concern the film provides ample evidence of the Taliban's cruelty.
Women whose villages have, in the film, been liberated from Taliban control still wear
their burkas just in case their oppressors return. (Similar caution has been reported in
the wake of the Northern Alliance's more decisive recent victories.)
"Jung" can hardly be called optimistic, but neither does it invite despair.
The filmmakers leave little doubt that the Afghans have been brutalized by war, but
suggest that they do not seem to have been broken by it.
One of the most moving passages in the film records the death of an elderly man, not
because of the war but from a vicious form of melanoma. In the midst of caring for the
wounded, the hospital provides him terminal care, and he dies with his grandchildren
around him. The tears they shed at his funeral carry a curiously hopeful message: this
quiet death, in the midst of so many hideously unnatural, unspeakably violent ones, holds
out the fragile promise that the normal life the Afghans long for may somehow be possible.
JUNG (WAR) IN THE LAND OF THE MUJAHEDEEN
Directed by Alberto Vendemmiati and Fabrizio Lazzaretti; in Dari (an Afghan language)
and Italian, with English subtitles; director of photography, Mr. Lazzaretti; edited by
Giuseppe Petitto; music by Mario Crispi; Line Producer, Mr. Petitto; Executive Producer,
Lorenzo Torraca; released by Human Rights Watch International Film Festival in
association with Karousel Films. At the Cinema Village, 22 East 12th Street, Greenwich
Village. Running time: 114 minutes. This film is not rated.